Shoot true Super 16 or standard 16mm with one of the most trusted cameras in film history. The ARRIFLEX 16 SR3 offers a switchable offset PL mount for fast format changes, a user-adjustable orienting viewfinder prism, and a variable shutter (45°–180°) for creative exposure control. Built-in timecode streamlines your post workflow, while sapphire-roller film guides keep dust down and images steady through telecine.

Available in Standard (5–75 fps, sync-sound ready) and High Speed (up to 150 fps, MOS) configurations. Quiet operation at ~20 dBA makes it a solid choice for on-set dialogue recording. Rugged, portable, and backed by a deep accessory ecosystem shared with ARRI’s 35mm line — ideal for documentary, narrative, and commercial productions seeking authentic film texture.

Packing List

– Arriflex 16 SR3 body Super 16 / std 16 as configured
– PL lens mount
– Ground glass / format masks 16:9, 1.85, 2.40 as needed
– 400 ft coaxial magazines ×2–3
– Mag caps, cores, daylight spools
– Changing bag / tent For loading
– SR3 swing-over viewfinder + eyepiece
– Eyepiece extension / leveling rod
– Heated eyecup Cold / fog-prone sets
– Visual Products LN HD video tap 
– V-mount conversion plate
– Lightweight & studio baseplate (15mm)
– Shoulder pad + top handle 
– Follow focus + assorted gears
– 15mm LWS rods
– Onboard speed switch SR3 ~1–75 fps
– External speed control unit For ramps / off-speed
– Camera run cables, sync cables
– Allen key set, mag lube
– Camera body case
– Magazine case
– Accessory case